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Touched by the brainless, shuffling, rotting reanimated zombie hand of love
Written by Jim Marcus   
Thursday, 20 November 2008

lesbian blog:lesbian message board Science rocks. Unless you bought 900 acres of Nagasaki farmland in 1943 and were hoping to flip that shit. But let's assume that this is not the case.

Science rocks. And today on Science and You we're going to be looking at Dicrocoelium Dendriticum, a tiny microscopic organism that, much like seasoned veteran cult filmmaker George Romero, speaks English poorly, weighs very little, has trouble getting a date, and creates zombies.

Dinky is interesting because, as I discovered in my "Defiling the dead" class at Miskatonic University, if you inject a human corpse with a RNA bath solution containing Dicrocoelium Dendriticum and a series of other ingredients (one being Diet Dr. Pepper, which tastes much more like regular Dr. Pepper, as a quick aside) you can reanimate the dead.

Here's the thing. Dead people are like the unending, infinitely sustainable resource of planet earth. There were so many deceased folk to choose from, I had trouble figuring out where to start. So I tried to think like an American and I resurrected someone about whom there is soon to be released an almost assuredly Oscar winning biopic. Upon scanning through IMDB I decided to steal the body of Harvey Milk, the first openly gay man to be elected to public office in the State of California, assassinated on November 27th, 1978, almost exactly 30 years ago.

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'Where's the anger, the feeling, the fire?'
Written by Denise Sheppard   
Monday, 23 June 2008
lesbian blog:lesbian message boardDepending on who you are and where you come from, the term "lesbian music" likely conjures up one of two images.

The first, a peaceful roomful of queer women with acoustic guitars singing about love, collective empowerment and community.

For others, the idea of lesbian music might bring to mind the image of womyn/wimmin/women with mullet haircuts and plaid jackets singing outdated folk songs on their acoustic guitars, holding each other tight while crying and singing about wombs and waterfalls.

One thing is for certain: lesbian music has — since its initial heyday in the '70s — gained its place in history as groundbreaking, magical and inspirational to many.

Today, queer women generally don't have much more than a historically fuzzy perspective on that period, much less a sense of the depth and breadth of its significance. Yet many of the reasons that contemporary musicians are free to be out and proud are because of those lesbian foot soldiers of yesteryear.

Young queer musicians and music industry folks often deem landmark artists, ranging from Cris Williamson and Ferron (who broke ground in the '70s) to the Indigo Girls and Melissa Etheridge in the acoustic revival of the '90s, as "too out" or "too gay" — in spite of their accomplishments.

For many 20-something recording artists, the fight for freedom appears to be over, and as a result, the need to queer-identify in one's lyrics or to the press seems to them to be a step back — a blinkered approach to their craft that doesn't begin to describe who they are at their core.
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Because I said so!
Written by Darby Blue   
Sunday, 18 May 2008
lesbian blog:lesbian message boardDo as I say, not as I do.  Whoever first said it, I’m sure she was somebody’s mother.  Sometimes it seems like one of the primary tenets of parenting survival.  Other times, it stinks of double standards, hypocrisy, and the head-in-the-quicksand approach to parenting - the "if I just assume my children’s lives aren’t as complex as mine, this will all be easier" route.  Sometimes it is a reasonable solution.  Stretching an allowance to cover new Pokemon cards and a candy bar is not the same as budgeting a mortgage, utilities, and putting groceries on the table.  But what am I really saying when I deny my daughter the extra dollar she needs, give the lecture on not spending money you don’t have, and then whip out the plastic at the checkout?  Where’s that line?
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